I had the show sort of explained to me.

In high school, I had a wonderful teacher who, coincidentally also taught Meryl Streep before me. At the same time I had my own rock band, I played bass and sang. I was one of those kids who really enjoyed being with my friends and doing rather insane, but fun, creative things.

These opportunities to go on Broadway are the most special thing, and although the idea of doing something for a year or more is daunting, I love it. It's my church and raises my spirit. It's good for my soul.

It's kind of fun to be a clown. I've always played the clown. The clowns come on, get the biggest, juiciest laughs, and then leave.

There was one scene early on where George is home alone, eating dinner and watching Bree on the surveillance video from the drug store, ... I think that's when America went, 'Uh-oh.'

I've tried to maintain an uneasy balance between your friendly unassuming neighborhood pharmacist and Anthony Perkins in 'Psycho,'

There's nothing more instructive than the immediate response of an audience.

There's something about that relationship between actor and audience. Whether you get it on Broadway or in a fine local playhouse, there's no greater drug. Every time I get to do TV, film and a play in the same year, it's my dream come true.

I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.

I think I was brought on the show as a means for Bree to retaliate for Rex cheating on her.